Reading the pack: five wolves, one bull, and the moment before commitment

Open question to the room, and a genuine one. In Moose & Wolf Pack the wolves are distributed across three distances — two holding the treeline, one alone on the far bank, one already flat in the snow at the lower right.

Field people: does that spread read as real to you? Is the low wolf committing too early, or is that exactly the opening move you have watched happen? And for the painters here — how much of that arrangement is observation and how much is composition?

Answers here are logged against the work's research record.